CD review – Kate Lush – Feb 2016

Artist:    Kate Lush
Title:      Kate Lush
Label:     Independent
Year:       2015
Tracks:   8

Web:       http://www.katelush.com

Location:  Sydney, Australia

Review
It doesn’t hurt that Groove Me  the first track on this robust EP is one of my favourites.  Kate delivers the King Floyd classic with groovy gusto, showcasing a swingin’ sax solo by Jason Bruer.
Next up Tired of My Tears, first released in the 60’s by Ray Charles, keeps faithful to the original feel by capturing that old-gold soul sound.

Written by Kate, the standout on the EP  Do You Know What Love Is creates a moody bluesy feel with plaintive, pleading vocals appealing for an answer to the impossible question.

Originally recorded by American blues artist Robert Johnson in 1936, this cover of Dust My Broom lifts your spirits with its 12-bar blues boogie rhythm which is more akin to the later Elmore James version;
then continuing the livelier tempo Loving You is Sweeter Than Ever, written by Stevie Wonder and released by the Four Tops, steers the album in a soulful direction with this unique arrangement.

Another favourite is the Kate penned True Fire which has an odd beginning that doesn’t quite make sense until you watch the video (TrueFire) – but get past that bit and the song morphs into a soul-drenched, organ-infused burner that engraves itself on your brain.

The uptempo When You Pray gets the foot tapping and head nodding in the same way gospel music demands attention.  At the back end of the EP, Set Me Free launches into a spirited blues belter with Kate letting loose on this fabulous finalé to her first-class release.

Already achieving local awards and gaining high marks on Australian blues charts, there’s no doubt this album, because of its varied content, excellent production, musicianship and undeniable talents of Ms Lush herself, will continue to entertain soul and blues fans well into the future.

Album Personnel

Kate Lush

Kate Lush – vocals
Matt Roberts – guitar, vocals
Chris Wright – guitar
Tim Wilson – bass, vocals
Lachy Doley – organ, keys
Damon McMahon – keys
Wes Harder – keys
Sam Boyd – keys
Jason Bruer – sax
Stewart Kirwan – trumpet
Paul Derricott – drums
Tony Boyd – drums
Jo Fabro – BV’s
Robert Susz – harmonica

Production:  Michael Carpenter
Mastered by: Rick O’Neil @ Turtle Rock

CD Review – GroovExpress – Jan 2016

Artist:    GroovExpress
Title:      Ukrainian Doll
Label:     Independent
Year:       2014
Tracks:   10

Web:   http://www.groovexpress.me

Location:  New Zealand

Review
Individually the members of New Zealand’s GroovExpress have a trainload of history.   Collectively the band has been together since 2010 when composer, arranger and producer Mykeljon formed the group.

We were fortunate to discover the band via our Northside Radio colleague, Paul Mac  (Phase Radio Monday’s 4-7pm) and since obtaining this CD, it has remained one of our playlist favourites .

Ukrainian Doll delivers something new with every listen.
Jazz grooves laced with organic soul and fueled with raw funk, the album offers artful hooks that get caught in your memory grooves.

Organ, sax, harmonica, keys, bass and guitar blend with groove-laden drums and percussion providing pleasurable moments and evoking general bonhomie.

First up the title track Ukranian Doll sports a delightful dual tracking of harmonica & sax along with well-placed organ, guitar and sax solos;   Mi Bella Paola lays down everything necessary for a good groove;   I Say Praise eases into the smooth jazz arena claiming attention with wistful harmonica, then a quirky piece No Way Home  is followed by my favourite Foxy Brown which lifts the pace with its bright & breezy melody;  Tell Me Why eases back the tempo, while High Heels strolls the mellow vibe.  Pretty Little Thing has a distinctly blues bent, yet E Type Blues has a decidedly funky feel.   The final and only vocal track, You Are My Fantasy builds from an acoustic guitar solo with Latin inspired percussion into a syncopated groove that would make anyone’s hips move.

Your invitation awaits to take a trip on the GroovExpress!

Album Personnel (recording)
Mykeljon – guitar, vocals, composer, arranger and producer
‘Haggis’ Maguiness – diatonic and chromatic harmonicas
Ernest Semu – organ, keys & synths
Isaac Sanchez – drums/percussion
Robert Kyle – tenor sax
Bruce Kerr – bass

 

CD Review – Alex Hahn – Jan 2016

Title:      The Wallflower –
……….A Tribute to Etta James
Label:     Independent
Year:      2013
Tracks:  12
Website:  http://alexhhahn.net
Location:  Sydney, Australia

Although this CD was issued in 2013 I only got my hands on a copy in 2015.
At the time of release Alex had only a short interval to promote the album before heading overseas.  The CD received some good reviews but the marketing momentum was lost when she left Australia to tour the album across Europe and America.
Hence my decision to review this excellent CD now, so music-lovers don’t overlook this gem.
Review:
Covering a well-known artist is not for the faint-hearted, yet Alex has achieved a splendid result with these exceptional interpretations.

Although she doesn’t sound like Etta per se, Alex delivers spunky sassiness, gutsy raunchiness, and perceptive sensitivity on the more emotive melodies, all the while allowing her innate musicality to shine through.
Of the 12 quality interpretations, standout tracks for me are No.3  I’d Rather Go Blind, No.7  A Sunday Kind Of Love, and No.12  At Last – the latter being a wonderful version.

Alex Hahn is the quintessential blues, jazz, gospel and soul singer all rolled into one, and on The Wallflower – A Tribute to Etta James she possesses the enviable ability to translate classic Etta James into contemporary portrayals without losing the gritty, earthy lineage of the originals.

Oh, and for the truly nerdy listeners… keep your CD playing a the end of the last track for a tasty little surprise which occurs at 0.52 (counting down)!

CD Review – Dee Dee Lavell – November 2014

Title:       Sounds Of Love
Label:     Gam Girl Records
Year:       2014
Tracks:   11

Web:   http://www.deedeelavell.com
Location:  Los Angeles USA

Australian born singer, DeeDee Lavell is currently based in Long Beach California.  Following  her 2012 blues infused album Mama Told Me, this new release has taken a whole new direction.

The opening ballad You’re Everywhere written by Australian Liza Ohlback, includes sweet harmonies and gorgeous piano-work by Adam Faulk.

Sounds Of Love features a number of jazz and pop standards plus four self-penned songs. On the track-list are songs by notable artist’s Billie Holiday, Stevie Wonder, Joni Mitchell, Antonio Carlos Jobim (affectionately known as Tom) and a very cool cover of Prince’s Diamonds & Pearls.

In the company of those stellar songwriters, Lavell holds her own with her mostly Latin flavoured compositions Celebrate, Supernatural (Song for Maliq), Sounds Of Love and Why We Are Here.

Of her self-penned songs, Supernatural (inspired by her son Maliq), is my personal favourite, and of the standards… Stevie Wonder’s Bird of Beauty, showcasing DeeDee’s beautiful contralto vocals to full effect, is the most outstanding.

On first listen I found this album a bit disconcerting as I loved her earlier Mama Told Me CD and felt Lavell had found her niche in the blues, but having re-listened to Sounds Of Love a number of times, it became apparent that this album has all the required elements to stand on its own merit.

The ‘sleeper’ of the album – Why We Are Here – with its syncopated African-influenced rhythms and featuring beautiful instrumentation and vocals, creeps up on you when you least expect it.

All songs were expertly produced by Leonard ‘Doc’ Gibbs and recorded/mixed by Craig White in Philadelphia.

Singer/songwriter DeeDee Lavell can be proud of this “collective of love” which deftly demonstrates her passion, dedication and versatility.

Album Personnell:
Piano – Adam Faulk, Aaron Graves
Bass – Nimrod Speaks, Lee Smith
Guitar – Wendell Pops Sewell,
Miguelli (co-writer on Celebrate, Supernatural, Sounds of Love)
Drums – Anwar Marshall, Rocky Bryant
Percussion – Doc Gibbs (co-writer on Why We Are Here),  Trombone – Steve Tirpak
Cello – Ginger Murphy, Violin – Julie Wong, String Bass – Antoine Lopez
BVs & arrangements – DeeDee Lavell, Liza Ohlback, Helen Bruner, Terry Jones

Produced by:  Leonard “Doc” Gibbs
Recorded & Mixed by:  Craig White – The Lab Philadelphia PA.

CD Review – Machiniso – May 2014

Title:      Lounge-O-Scope
Label:    Independent
Year:      2012
Tracks:  4

Website:  http://www.facebook.com/Machiniso

Location:
Sydney, Australia

..
The husky, sensual and sultry vocals of Anne-Lise (pron. Anne-Leesa) Larsen is the first thing you notice when listening to this 4 track EP, superbly played by the 4 piece rhythmic combo featuring vibes, drums, bass & vocals.
Anne-Lise interprets the songs in a torch-come-vamp style jazz rather than the purist or straight ahead kind, but that’s okay because these tracks are far more accessible for the listening public than the introspective, esoteric jazz variety.

The vibes bring a melodic pizazz to each track, with “Hexotica” conjuring up images of middle eastern belly dancers gyrating to the dance of the seven veils, while “Vampire Jazz” incorporates a theatrical burlesque feel.  “The Weather” (written by Larsen) with it’s incessant drum rhythm tells the story of relationship discontent.

My pick, “Miss Lil’Lethal Blues” (remodeled by Larsen) warns potential suitors to beware of this smouldering seductress.  With lyrics that paint a vivid picture… the message is  clear… get too close and you’ll get burned!!

A professional cellist in a previous life,  Anne-Lise isn’t merely an exotic singer, she has oodles of songwriting talent as do the other musicians who all give solid performances
on this not too serious, and sometimes quite quirky CD.

 Album Personnel
Anne-Lise Larson – vocals
Dave Smith –  vibraphone
Scott Leishman – bass
Rich Machine – drums

 

 

CD Review – Nina Ferro – February 2014

Title:      Into The Light
Label:    Independent
Year:      2013
Tracks:  11
Website:  http://www.ninaferro.com
Location:
London, England

(Note:  Nina is an Australian artist, based in the U.K.)

The first thing I do when I get a new CD is to listen to about the first 30 seconds of each track.  If the track has what I call radio appeal, that is, I consider it will keep my radio audience listening, then I keep listening.   To distinguish tracks,
I use this code:  No tick = not for airplay;  1 tick = like,  2 ticks = like a lot.

So, here’s what happened when I listened to Nina Ferro’s album…
EVERY track received at least 1 tick and some received 2 ticks!     Conclusion:  Not one mediocre track on this album.  That in itself, is extraordinary because most albums have at least one or two dodgy additions or ‘fillers’.

I absolutely love Nina’s voice.  It’s the kind of voice you don’t get sick of hearing.  Some albums sound very ‘samey’ after awhile.  Not so this album.
Nina’s voice has a beautiful maturity, with emotion permeating each song, whether it’s a beautiful ballad or a raunchy rocker.

The opening track which is somewhat reminiscent of a Michael Franti song, has a country feel, and there’s plenty more country, blues, rock, jazz and soulful influences throughout the album.

As with many songwriters, Nina’s songs are about her own experiences, and the poignancy with which she writes takes you on a journey to the very core of her soul… with many tracks giving you an insight into what has wrenched at her heart.

There’s only one problem with this CD…  choosing what song/s to play on my radio show!  They are all so accessible, not just for the casual listener, but for the demanding and critical radio audiences.
Outstanding tracks for me:   When I Find You;  Look Speak Fall;  Let You Go.

Nina has a natural gift for songwriting and telling stories that pull you in, giving you a feeling of empathy with her own experiences.

Finally, the superb Nashville-based musicians, the production, and everything about this album is pure class.
I suggest you get a copy ASAP and play it often, at home, in the car, on your ipod… in fact, whenever and wherever you have music with you.

Album Personnell:
Sam Hawksley – guitar, vocals
Rob McNelley – guitars
Steve Mackey – bass
Jano Rix – drums
Michael Rojas – keys
James Farrell – keys

See album liner notes for production and songwriting collaboration details, and read Nina’s bio on her website for more info.  http://www.ninaferro.com/bio/

CD Review – Liza Ohlback – June 2012

Title:        Trouble Going Down
Label:       Independent
Year:         2009
Tracks:     10

Website:   http://www.lizaohlback.com

Location:
Sydney, Australia

OK, so I’m a bit late reviewing this CD, but having reviewed Liza’s unforgettable   live performance at Lizottes in November 2011, I promptly forgot to review the album!

I must say that of all the soulful blues singers I’ve come across, Liza has to be up there in the top ten, and I don’t mean just in Australia… I mean in the world!

Not only can she sing rings around most others, but she writes great songs.  Along with co-writer (bassist & guitarist) Zoltan Budai, they make for a formidable team having penned seven of the ten tracks which range from slow blues burners to mid-tempo movers and uptempo grooves.

Liza covers Things I’ve Been Through written by George Kerr & Gerald Harris (which was also done by Al Green’s backing singer the late Linda Jones), and she includes three fine compositions of her own  Heading For Home, Best You Move On and the final track Leave Before the Dam Breaks, completing the album.

My favourite tracks are:  Didn’t See It Coming featuring Eric Rasmussen on guitar; Somethings Gonna Give featuring Jack Evans on guitar; and Things I’ve Been Through featuring fabulous BV’s by Dee Lavell, Dan Markovina & Evelyn Duprai.

Although Liza is not hugely well-known on the Sydney blues circuit, don’t let that stop you from immersing yourself in this well-crafted, well-presented album.  She covers all types of blues including jazz, gospel, soul and swamp.
Gifted with a voice that can growl, howl or sooth your furrowed brow, Liza is one hell of a singer.
Oh, and the rest of the band aren’t too shabby either!!

Liza Ohlback @ Lizottes Dee Why

Album Personnell:
Guitars – Eric Rasmussen,
Zoltan Budai, Jack Evans;
Drums/percussion – Greg Ohlback,
Bass – Zoltan Budai;
Double Bass – Peter Maloney;
Sax – David Weir;
Piano/Organ – Peter Rundle,
Mike Fronzek, Rick Mellick;
BVs :  Dan Markovina, Dee Lavell, Evelyn Duprai, Chiara Brown,
Lee Noonan.
Produced By:  Greg & Liza Ohlback

CD Review – GAPProject – May 2008

Title:         A Moment of Clarity
Label:       Independent
Year:         2008
Tracks:     8
Website:
www.thegappproject.com

Location:    Sydney, Australia

In 1995 the GAPProject delivered their first critically acclaimed CD and every release since has continued to deliver high quality funky grooves comparable with any world-class jazz/fusion group.  Choose any of their albums and I guarantee, if you love jazz/fusion, you will not be disappointed.

Their seventh album, A Moment of Clarity features more tasty morsels from the masters of jazz/groove.

Sporting just 8 tracks, many extend way past the obligatory 4 minute mark, taking you on exquisite journeys via the groove laden hooks and riffs that abound throughout every performance.

Keyboardist/composer and head protagonist, Nick Fowler leads a band of exceptional musicians – Ivan Pineda bass, Deva Permana drums and Louis Klaassen tenor sax, with additions including Gordon Sullivan guitar, Kathy Morrison & Robert Campbell trumpet, Paul Weber trombone and Max Dalton alto sax.  With the horn section arranged and led by Klaassen, you know this will be a classy creation!

GIG Review – Joe Robinson – Jan 2011

Joe Robinson @ Lizottes

ARTIST:
Joe Robinson with Bernard Harris & Marcus Hill
DATE:   Thurs 20 January 2011
VENUE:
Lizottes,  Pittwater Rd, Dee Why, NSW
.
Joe’s Website: http://joerobinson.com/
Lizotte’s Website:  http://www.sydney.lizottes.com.au/live/index.asp

On a warm summer’s night, the cool air of Lizottes was refreshing as our table for 6 enjoyed the outstanding cuisine which we’ve come to expect from Lizottes restaurants.

As we savored the last morsels of our main courses, we all agreed that the food was so delicious we had to try the desert.  We were not disappointed!  Table service was friendly, attentive and courteous without being pushy.

When Australian guitarist Joe Robinson along with his Nashville rhythm section Bernard Harris (bass)  and Marcus Hill (drums) took to the stage we anticipated a good show but we weren’t prepared for such a marvelous display of musicality, craftsmanship and sheer talent from the 3 young musicians.

We were also looking forward hearing Joe sing for the first time and to our delight his gentle yet strong voice did not disappoint.  The band members entertained us with different styles of groove and blues infused songs, written mainly by Joe, who also performed a number of solo pieces.  Throughout the show many favourable comments were overheard from nearby tables.

Joe allowed both Bernard & Marcus to shine during their respective solos, and we were astounded by Bernard’s incredible bass playing (including Piccolo bass), at times causing his instrument to sound like an organ.  Not only was he an exceptional player, but his soulful, baritone voice was a knockout!

Bernard Harris’ playing was a great match for Robinson’s mind-blowing guitar-work and their impressive call and response challenges wowed us all, causing many outbursts of applause.  All the while Marcus, whose gaze barely strayed from Joe, kept the trio glued together with his deft yet subtle drumming, occasionally leaving the kit to perform interesting percussion pieces on a Cajon box drum.

The enthralled audience loved every moment, and continued applauding and whistling long after the 2nd set had ended, until the boys returned to perform an amazing FIVE song encore!  What an absolute treat!

After a standing ovation at the end of the encore, it was obvious that the satisfied audience left with full appreciation of  the night’s outstanding entertainment.

I definitely won’t miss the chance to see the exceptionally talented Joe Robinson again.

CD Review – Darryl Beaton Band – August 2010

Title:          “From The Ground Up”
Label:     Independent
Year:       2008
Tracks:   12
Website:  www.darrylbeaton.com
www.myspace.com/darrylbeaton

On first listen one maybe a little bemused by some of the tracks, although on subsequent listening the album takes on a deeper perspective.
“From the Ground Up” brings Darryl Beaton’s ideas to life, delving into all sorts of magical, mystical moments that meld together to present a ménage of his musical talents.
The Darryl Beaton Band has a sound like no other, boasting a personnel list that reads like a who’s who of Sydney’s finest and showing Darryl’s extreme individualism to its best advantage.  His lyrics provoke food for thought, particularly on “My God is Better Than Yours”, and his voice is has a distinctly unique quality.
Be prepared for soul, funk, disco, reggae and more, with hook-laden, catchy melodies abounding throughout.
Do not dismiss this album, rather, take the time to experience the message that is “From The Ground Up”.