Title: Let’s Talk About It
Location: Sydney, Australia
Having been a fan of Lily’s for many years and knowing her superb talent, I was eagerly anticipating this album. I’m even more delighted than I’d expected!
Lily had said this set would be more soulful than her previous jazz releases, which it is, but it also encompasses funk, blues, gospel, ballads, and a whole lot more.
The production is superb, the musicianship exceptional, and Lily’s musicality and singing is breathtaking. Her writing skills, which I’d never thought about before, are outstanding and IMHO she’s up there with Diane Warren!
Although the album was in gestation for a considerable period, the time taken to ‘get it right’ has certainly paid off, and if you’ve never heard Lily before, here’s your chance to be blown away! Be prepared for the goose bumps!
I love every song on the album, with the standouts being Love’s Like a River (co-written with Ben Fink), and the blues ballad Can’t Stop Me Crying – one of Lily’s finest compositions to date… there’s those goose bumps again! Also included is a superb cover of Billy Holliday’s Who Needs You.
The late Carolyn Shine wrote Set Me Free and with Lily’s gospel-laden treatment, and Brendan St.Leder’s organ/piano work, this track is just sublime. (More goose-bump material!)
Lily invited singer/composer Daryl Aberhart to contribute a couple of songs and he delivers two fine blues/funk tracks Surely By Now and Don’t Say a Thing (Lily co-wrote the latter).
You may think I’m being dramatic, but I cannot say it any clearer – this is one of the finest albums I’ve heard in recent times! If you don’t include this on your listening list immediately, you are missing out! Get a copy for yourself and one for someone who’ll appreciate your exquisite taste!
Piano/Organ/Wurly/Rhodes – Brendan St.Ledger,
Bass – Alex Hewetson
Drums – Jamie Cameron
Guitar – Arne Hanna
Trombone – James Greening
Tenor Sax – Matt Keegan
Trumpet – Nick Garbett
BVs – Tina Harrod, Virna Sanzone, Mitch Anderson,
Ben Fink and Rebekah Jensen.
String arrangements: Sarah McCallum.
Produced by: Lily Dior
Sound Engineer & Mixing: Richard Belkner